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"First Crush" – Fresh Cut Productions/MSR Video (31 photos)
Despite a busy schedule and biting off more than I could chew throughout the month of August, an invitation to an adult video set where the players would be living out one of my childhood fantasies seemed too good an offer to refuse. When I received the call from director, Tony Alizzi, asking me to drop by the set of First Crush, for a scene where three basketball jocks get it on in a locker room, I figured I should at least make time for an appearance.
First Crush is the first production from MSR Videos’ new label, Fresh Cut, specializing in young jock types having “nasty” sex. MSR, known for its “Men are Pigs” slogan, insists that just because they’re casting “younger types” for their Fresh Cut line, the sex will still be down and dirty. “We’re not interested in any twink types or softcore sex,” director Alizzi tells me. “The guys will be younger than they are in some of the regular MSR videos, but they’re still going to be tougher jock types and the sex will still be raunchy.” … Sounds like my kind of porno!
Upon arriving at the set of First Crush (filmed at Drew Warner’s studio, which can be seen daily on live web cam at GayPornStudio.com), I am introduced to this newcomer they’re all calling Bret Wolfe. I’ve heard lots about Wolfe, namely good things, though meeting him in the flesh is a nearly out-of-body experience. The things he says, the things he does, the way in which he does them – all make you feel as though you’ve stepped onto another planet for a moment. His character traits all belong to him and him alone. There’s no one quite like Bret Wolfe. He’s a one and only.
For instance, I had been told by others in the industry that Wolfe and I shared an obsession with pop sensation, Britney Spears. What they hadn’t told me of what Wolfe’s other pop culture obsession. “The Olsen Twins,” he nods up and down, like there’s nothing strange about it at all. “I am in love with Mary Kate and Ashley Olsen. Did you know that one is prettier than the other? They will be millionaires within the next couple of years. I think they’re incredible. I find them both utterly fascinating. I can’t get enough of them.” … You don’t say!
I follow Wolfe into the kitchen where he unloads what he refers to as his “porn boy” bag, dumping it all over the counter. The bag consists of creams and makeup from Origins and Clinique, the only two companies he will use, as well as a variety of hair products, anti-shine gel, Immodium (“to keep you… ya know… still”), aspirins (“thins the blood and helps the Viagra work better), clippers (“for your… whatever, ass, chest…”), and an extra supply of lube.
Wolfe goes on to tell me that he’s San Francisco born and raised, and whispers about his own personal campaigns to win Best Newcomer of the year and his intentions to start his own production company or video line at some point in 2024.
Eventually, Bret’s scene partners arrive on set, they being the equally studly Rhett O’Hara and Chris Bolt. O’Hara’s charisma and star quality is undeniable, with a boyish smile and a penchant for being verbally and physically dominant when it comes to his sex scenes. Bolt is star most likely to have actually played basketball in high school, as he’s very tall, with a height and build to fit the character.
The scene begins in the shower with O’Hara and Bolt washing up after a game, doing the “small talk” thing and making none-too-obvious glances at each other’s members. Wolfe watches from behind the lockers, grabbing himself and getting turned on to the point that he can’t stand it anymore. He simply must walk into that shower, clothes on, and drop to his knees to deep-throat those two cocks. O’Hara and Bolt take turns face-fucking him, the water cascading off all of their bodies. With a cock in his mouth, Wolfe suddenly enters another “zone” and turns into a veritable monkey boy, bouncing up and down, begging for sex and to be treated like a little slave boy. … It’s hot, trust me.
Wolfe masters his head-giving skills as they move from the showers to the benches by the lockers. Again, he sucks both of them silly before the two of them turn their backs on him… so he can eat their asses, of course. O’Hara, who is known for not giving up his ass on camera, to lick or fuck, makes a rare exception here, as he claims Wolfe is his favorite on-camera “bottom” and he plans to plow the living hell out of him.
Just a few moments later, he’s doing exactly that, sticking it in and out of Wolfe, who lays on his backside, while Bolt stands over his face, lowering his cock, his balls, and even his ass into the submissive slut’s mouth while O’Hara fucks his hole hard.
Chris Bolt has a previous engagement and has to catch a flight. Production got started a little late in the day, so unfortunately, he has to exit before the end of the scene, though Alizzi re-writes the script around it. “Wow, look at the time, guys! I gotta run guys, I’ll catch you later,” Bolt says to the two studs. Later in the movie though, we see Bolt’s character had left the locker room just to hook up with his “regular” after-school snack.
Bolt’s departure doesn’t take away from the end of the scene though. Wolfe and O’Hara keep going in the same position, right up until the hard-hitting tattooed top gives his signature, “I’m fixin’ ta cum,” trademark warning. They shoot their loads together and cover Wolfe’s chest and stomach.
“That has to be one of the biggest loads I’ve ever shot,” laughs O’Hara.
And who can ask for more than that, from a first crush?
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