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RAWHIDE
It’s an hour and a half drive to the ranch in Piru,
California where Adam
& Eve is shooting new contract star, Carmen
Luvana’s latest starring vehicle, Rawhide.
After getting lost a million times along the way and nearly running
out of gas, I manage to somehow find the middle of nowhere and discover
Luvana doing B-roll footage with Evan Stone. It’s clearly
a period piece, the costumes are exquisite and the setting works
perfectly. This is Luvana’s movie, though she’s not shooting any
sex scenes today. She has promised to pose for a few nude stills,
however. Evan Stone declines.
“I think it’s going to be one of my best films yet,”
says Luvana, swatting the flies as she lowers her blouse. “The sex
scenes have been incredible and the story is just one of the best
I’ve shot yet. I’m really excited to see how it all comes out.”
Today, I have been asked to cover Velvet Rose’s
sex scene with Dale Dabone.
Velvet was the first person I found at the ranch, as she lay like
a rag doll on the picnic table, sans makeup, in gym shorts and a
tank. I had no idea she was a porn star and in fact, it took quite
a while into the scene before I even realized it was the lethargic
gal I saw when I first came upon the ranch. The wondrous combination
of good fashion, makeup, and lighting never ceases to amaze me,
not only in porn, but in everyday life! Of course, my everyday life
is porn.
Dale Dabone, on the other hand, looks stunning on
arrival. He is dressed in his own gym outfit, the whitest of white,
giving him an almost angelic quality. White, however, may have not
been the wisest choice for a ranch, but then they didn’t hire him
for his brain. And we must give Dabone the benefit of the doubt,
as well. Perhaps he didn’t realize it was a real ranch and thought
it was the set. I can attest, however, that what you will see on
camera is indeed a real ranch. The stench of horse manure was very
much real.
“The most electrifying performer in adult has returned!”
exclaimed Dabone, as we hugged each other hello. Dabone has a charming
tendency to poke fun at his own ego. I tell him he is the reason
I decided to come over the scene today. “Tell them that, will you?”
he asks. I agree to do so, though I’m not sure who “they” are, so
I’m saying it here and will hope that suffices.
Dabone and Rose are called out to the barn where there
is a cow, who much resembles my former employer, Danni Ashe. Rose
is asked to milk the cow, just as we were asked to milk Ashe from
time to time. … Well, not to really milk it. They cheat for the
camera. Rose, that is. Not Ashe. She is always the “real thing.”
Dabone jokes, “Practice that technique. I’ll test you later.”
The director sighs and rolls his eyes, claiming Dale
Dabone is the only person in the industry who somehow managed to
get his home phone number. “He’s only called once, but I made sure
it would never happen again,” he tells the crew. “No one in this
industry has my home phone number.” … Well, apparently Dale does!
As the scene begins, Velvet Rose proves to be a less
than competent actress but makes up for it in the sex department.
Her body is hot as hell and Dabone practically worships it as they
start the hot and heavy action. The director is very hands-on with
the directing. He tells them exactly where to put their hands, where
to look… he knows what looks pretty and Adam & Eve is all about
pretty. He begins to instruct Dabone on how to undo Rose’s blouse,
but the stud interrupts, “I can get it off. I’ve done this a few
times before.” After a few fumbling attempts, he stops the action
and admits, “There’s no sexy way to do this.”
“We’ll cut and fake it,” he answers. “I’ve done this
a few times before.”
Once the clothes are off, it’s all about the sex.
She bends down, her knees in the dirt of the barn, and works and
Dabone’s cock like she was working the cow’s tits. Her baby face,
petite body, perfect handful of tits, and goldilocks hairdo makes
her like something out of a fairy tale.
“I’m not sure who she is,” comments Mary Deane,
head of production for Adam & Eve. “She looks sort of like a
stripper.” … Ten to one, she is a stripper, Mary.
The blowjob has been shot for twenty minutes now and
a PA on the set comments, “Dale will get mad in a minute. That’s
just Dale. I don’t mind. He can get away with it and it moves things
along.” No sooner than the words escape his lips, Dabone says that
he’s over the still photographers and tells the director he’s gotten
enough blowjob. Dale gets down on his knees and starts to lick her
pussy. He spreads it with her fingers and flicks his tongue against
her clit. My guess? He’s done this a few times, too.
As soon as he sticks his “bone” in her pussy, now
glistening with his salvia and her own juices, the action is stopped
because Dabone’s long johns (period piece, remember?) are starting
to fall off. “We want to keep this authentic,” says the director,
“so we don’t want any tattoos being shown. All of the cast has had
costumes designed to hide anything like that.”
Velvet Rose has a girlish squeal when she is fucked.
Dabone likes to play with her clit while he fucks her missionary,
and even when they transition to reverse cowgirl. He smacks her
ass as she bounces up and down on his prick. She throws her head
up and leans back as he thrusts himself in and out of her dripping
wet honey hole.
The crew is losing light and the shoot is ended quickly.
Dale stands and Velvet kneels before him to take his load, mostly
in her mouth and some of her chin. She calls for a napkin and I
call for my car.
The bugs are mounting around the set due to the light
and that’s my cue to head out.
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